I’m so excited to announce that I am now represented by Tara Gelsomino of One Track Literary Agency!
What a journey! Sigh of Relief + Dance of Joy doesn’t capture the many feelings of landing here after a #neverthelessshepersisted trek in the trenches…and for, yes, the third time. (If you need to hear some of the saga, enjoy this post: Don’t Despair When Your Agent Leaves the Business.)
Here’s how I know Tara will be awesome to work with.
When she wrote me about NO SMALL THING, my YA novel, she said:
“I’m so excited to tell you that I really loved the story. I love Audrey’s fire and competence and confidence (even in very frightening situations). I love the light you’re shining here on the disparity in women’s and men’s teams treatment, and the corruption and unfairness of the NCAA/NBA climb that most people don’t get to witness and don’t really know about. I love the ethics in journalism plot line and how the bitter reality of…deception forges Audrey’s faith in herself. For me, this evoked the big social issues of Angie Thomas’s The Hate You Give with the fan fervor of Friday Night Lights with the additional investigative drive of The Post, Spotlight, or All the President’s Men, which I found to be an exciting and fresh combo.”
When an agent is as much on fire as you are about your story, time to do your dance thing!
And then you should hear what her authors say about her!
“I couldn’t be happier with Tara as my agent. I liked that she had a background as an editor and wanted to be part of the writing process—something I was looking for in an agent. What impressed me the most, however, was that she wasn’t afraid to dream big for me, and it paid off. She was able to get me a three-book preemptive deal…
“What else can I tell you? Tara is a great cheerleader, is available whenever I need her, responds very quickly when I email her, and is full of amazing ideas for marketing and publicity. If you’re looking for an agent that will provide personalized attention, you’ll get it with Tara!”
“If you prefer hands-on, editorial agents, then Tara certainly fits the bill. Her experience as an editor really shows. She’ll brainstorm with clients, and offer detailed comments in drafts, partials, and proposals.”
I heard more stories of deals, right, and support with social media.
Suffice it to say, I am so excited.
My mom says Tara is a good name for me, because I already know some amazing Taras!
More to come later…there are many querying journey stories to tell, and I want to tell them to help so many others who feel they are languishing in the trenches. I have things to say about query stats and why they matter, and about how you get beyond the frustrations of knocking so much on what seems like a barred door.
Time to get to work!
Never, ever, ever give up. You might just have a Tara at the end of a long, dark night!
Literary agents get a lot done that a writer just can’t. If you’re debating whether to work with one, hearing how I couldn’t do this without Amy Tipton of Signature Literary Agency might help you decide.
Agents can be editors, advocates, negotiators, deal makers, and prognosticators. They can be career builders. Here’s what Amy has done for me.
Every time I produce a manuscript idea or a premise, she’s willing to listen. She’ll bat an idea back and forth, and she’ll offer a plot twist or turn that can make the story take a leap forward. The last scene for No Small Thing resulted from an email exchange.
She helps me think about novel premises in terms of the market of young adult fiction and helps me better understand what editors want. While my art will always come from my muse, it has to also match the moment. By that, I don’t mean “sell out to fads or trends.” Writing isn’t just for self, it’s for audience, and so you have to make a happy hybrid of your wants and the world’s.
Not everyone wants to read about the social justice issues I write about: sexual assault, academic corruption and athletics, racism, and bullying. That’s another key: meeting of the minds. Amy’s feminist values and her commitment to social justice align with my world view. I love seeing on Facebook what outrages her, because it’s often exactly what pisses me off, too.
She understands the issues I care about, and she believes in my characters. She lives in my same fictional world where I think Audrey, T, Kendyll, Minerva, Gabe, and Diana are totally real. She stands behind my work.
Whether I’ve produced a partial or a whole manuscript, she’ll read it super close and deliver–often, in under a week!!!–the unvarnished truth about my prose. She praises what works and rips what doesn’t. That is key. There is no room for tender feelings in this process, even though they’ll crop up anytime anyone tells you what’s bad. I’d rather have my advocate tell me straight up than an editor who doesn’t want the book.
When my first draft of No Small Thing was so very far from what it could be, Amy delivered the news. I tease her that “Uh, no!” is her signature marginal comment, telling you to cease and desist, immediately, with that nonsense you just wrote. Wordsmiths sometimes get caught up in their dreams and prose and generate unsaleable prose.
She subs out patiently to editors. She’s built relationships over these years, she’s cultivated them, she gets how editors think. How in the world with a day job and every spare moment devoted to writing I could ever develop that…? The answer is, I couldn’t and I can’t.
She responds quickly to emails. (In fact, I’m spoiled: I often get same-day service.) Don’t underestimate this last one–it’s certainly not the least for me. If your agent can’t make time to respond or manage her inbox, then you may have on your hands a weekly struggle with wondering what the hell your agent thinks of your work and whether she values your time. Trust me, I’ve been there, and I’ve seen other authors worry about this. In my day job, I require that staff respond regularly to emails. Otherwise, in virtual employment, how do I still know you’re working for us? You can’t go off the grid. I know how hard it is to manage multiple priorities and a cluttered inbox full of missives from a variety of stakeholders. And yet, I do it. Your agent can do it. You shouldn’t have to chase someone.
These are just some of the things that make a difference to me in the work Amy does, and it makes the long journey of writing and subbing so much easier. I’ve got a companion for the journey, rooting me on, and guiding me right.
Thank you, Amy.