“It wasn’t until I figured this out – that I didn’t have to be an expert about something to write it into a story – that I finally really understood why my teachers insisted you had to ‘write what you know.’ Write what you know – not necessarily what you yourself have experienced. What a relief to know I didn’t have to commit a murder to write about one!”
— Jan Dunlap
|Elvis at Graceland, 1957|
“Write what you know” can be a paralyzing rule for authors. It’s a piece of advice that to some implies you must live what you write, or, be very close to events as they happen.
Then, there are those historical fiction folks–you know those researching types? They love being locked in a musty library or enslaved online. They’re special because they have to find out what they–and we–want to know about a certain period in time.
But today with easy-to-use sites like Wikipedia, Google Books, and just about any search engine, the remotest author can be in the thick of things unknown. I, for example, can tour Graceland and write about it as if I were there. “Write what you know” is really “Write what you research.”
As I revised HOW WENDY REDBIRD DANCING SURVIVED THE DARK AGES OF NOUGHT, I had my doubts about “traveling” where I had not been, but I knew I wanted Wendy and her new best friend, Tanay, to walk the rooms of The King. And while I spent time at the Wikipedia entry and on the Graceland website, I found TripAdvisor particularly helpful for my mission.
The scene needed Wendy and Tanay to take the audio tour and see interesting specifics the way these characters would. The notes from travelers did just that–raise to the fore the most intriguing and unique elements of Graceland.
Of course, as a writer or traveler you always reel with the stark contrast of reviews (“It was the best of times!” vs. “It was the worst of times!”) But overall, you get little gems of setting–the temperature, the size of crowds, the colors that leapt out, and all the details that stayed with the traveler. My favorite was one traveler’s quoting of another disappointed visitor: “Long live Elvis and his gift shops,” as apparently every display points the tourist to buy, buy, buy. I grabbed line after line from various reviews, dumped them in my manuscript, and then began to rewrite and weave a tapestry of my own visit.
What’s fun is seeing how voice informs the shortest travel review. I also had the girls stop at Earnestine and Hazel’s for a Soul Burger, so check out the variety of personalities and attitudes that characterize these Yelp.com reviews.
So for those of us who aren’t historical fiction writers or nonfiction gurus and who don’t make heavy research the first step of a writing process, I’ve found some rules to keep the process from overwhelming.
I still want to go to Graceland. I did, after all, obsess on Elvis for several months when he died. I claim early-in-my-life if somewhat late fanhood.
On August 16, 1977, my family and I were traveling through France. The radio chatter–“vraiment, incroyable, bah si si! The King, Elvis, est mort…” kept coming at my parents who were new to learning French. Finally my mom said, “Something must have happened to Elvis.”
At 8, almost 9, I had no idea who the man was, but once she showed me her Elvis records, I became an obsessive fan. I fell in love with his face and swore the eyes on the album cover followed me wherever I went in the room. The record player spun daily with his voice; I could sing every line to “Don’t Be Cruel,” “Wooden Heart,” and “All Shook Up.” (Check out the “Don’t Be Cruel” video for some shots of Memphis.)
Keep writing, researching, seeking. Don’t let fear of the unknown paralyze you. There’s a way through the writer’s traveling maze with our personal versions of GPS and travel guides.